water and milk
oil on linen
to show thinness in wide strokes
water and milk
oil on linen
to show thinness in wide strokes
My old student portfolio for Visual Development (Character Design) based on “Wicked” - PART 1 -
Because I often receive questions about portfolios, I thought, well, maybe it would be helpful for some to share my own personal experience accompanied by some visuals. Namely, my own portfolio I submitted to transition from the Animation department to the Visual Development department of Disney Feature Animation.
Now one thing that I will mention here as a disclaimer, and something that will probably be reiterated through out this post is that this is only my personal experience, and there is definitely not any sort of “formula” to make a portfolio for the Disney’s Vis dev. Portfolios that look nothing like this, share no common element, is just as likely to get you into the vis dev department. The acceptance is made by a committee of people, and not just one person’s personal taste or criteria.
Way back in the summer of 2007, I was an artistic intern at Disney. (Mainly 2D character animation, but also some story and vis-dev on the side.)
I was having lunch with one of our mentors at that time, Claire Keane, in which she gave us some advice on structuring a visual development portfolio.
One of her suggestions that stuck to me was to take one story, and dedicate the entire portfolio to it, as if you were developing that into a feature film.
This idea sounded good to me, because it made sense. It’s a semi-simulation of the kind of things you would be doing as a professional artist at Disney anyway, (which gives the reviewers a much better, reliable idea of how you would perform as a contributor) but it also gives the spectator a slightly more immersive viewing experience, as they are taken through one continuous story, with characters they understand, rather than having to adjust to brand new content with the turn of each page.
The many times I have reviewed portfolios, I have also found it a slight handicap to have to ask the artist, “Now, what is this thing from?” 4 or 5 times in one portfolio.
So in 2008, while I was working on Princess and the Frog, (still as a full time student at Calarts), I started on this visual development portfolio. I chose my story to be Wicked, the musical, which I am sure many of you are familiar with.
Now one thing before I elaborate further…
If I thought sharing with you my Frozen artwork was uneasy, showing this portfolio (which is my student portfolio from many years ago)… I honestly cannot shake the embarrassment.
But, as Tarkovsky once said, artists are there to serve.. And for one thing, after years of deciding never to show this portfolio on a public platform, I came to the conclusion of this; that it was always rather difficult talking about the type of portfolio that gets you into the doors of the animation industry, and because portfolios are so visual, visual accompaniment just makes more sense.
And for another, I always liked to see other artist’s various stages of development. Obviously nothing here represents me currently, but more shows where I used to be in the past.
When I look back at this portfolio, obviously I see so many flaws in terms of draftsmanship, design choices, character choices, taste etc, and I want to fix them all. But again, the purpose of this post isn’t to show who I am as an artist right now, but to dig up my past and say “Well this is how it happened for me in the past.”
Here is part 1 of the portfolio. I know for some it may be frustrating to have this divided into 2, but the nature of tumblr posts seem to want things kept short. So I’ll try and post part 2 of the portfolio as soon as possible. I want to say within the next day or two, but there’s just never knowing with when I’ll get another free moment.
I think what is probably most important to show in your portfolio is a strong draftsmanship, a good taste in design choices, and a special intuition for characterization.(I’m speaking for my own criteria when I review portfolios, and I don’t claim to represent anyone else’s.)
As you can see I also tried to pay attention to the presentation of the portfolio, which is why I tried to design the layout of it with the theme of “drawer of a Shiz student”.
I’ll probably try to address some of those things that I mentioned in future posts perhaps.
I hope this old student portfolio of mine gave you a better idea on who to shape your own. One thing I would recommend is to not copy exactly the method I used to form a portfolio, but see it more as a solution that will hopefully help you come up with your own solution on how to structure a portfolio.
Next up is Part 2, with some development designs of Fiyero, the Wizard, the Flying monkeys etc
i cannot believe people have followed me for years
by J.C. Leyendecker
Meanwhile, over in the Ults!verse-
Tony: I’m gonna do the thing.
Everyone: No, you’re not.
Tony: Yes, I am!
Everyone: NO YOU’RE NOT.
Tony: YES I AM
Avengers Annual #1 (2013)
#ladies and gentlemen #meet ginevra molly weasley #teased 24/7 when she was growing up for having a crush on the famous harry potter #wasn’t allowed to play quidditch with her brothers because she was considered too weak and too little #was constantly overlooked and underestimated because of her size and timidity #was possessed by none other than lord voldemort for basically an entire year #almost fucking died #not only fought off said horcrux for a year #but survived #blossomed #THRIVED #grew up to be a shockingly well adjusted young woman #not even a year later she faced dementors and didn’t even pass out despite the trauma #made the house quidditch team because at the age of six she said ‘fuck it’ and taught herself how to fly on a broom #GREW UP TO PLAY THAT SAID SPORT PROFESSIONALLY LIKE A MOTHERFUCKING BOSS #GREW UP TO BE SENIOR SPORTS EDITOR OF THE FUCKING NEWSPAPER #not only learned how to standup for herself #but also for her fellow classmates #students who unlike her were still overlooked and underestimated #BECAUSE SHE IS HELLA FUCKING NICE SON #proved her bravery and skill by willingly fighting adult deatheaters at the age of 14 #and at the age of 15 #and at the age of 16 #FUCKING PWNED AND SURVIVED AGAIN AND AGAIN AND AGAIN #LIKE A BOSS #FUCKING LED THE D.A. #DO. YOU. EVEN. #fuuuuuuuuuuuuuuuuuck #ASDFGHJKL; #all in order to help those she cared about and loved #BECAUSE SHE LOVES AND CARES FIERCELY MMK #proved herself to be so charming and so fierce #that soon her pumpkin juice starting bringing all of the boys to her yard #owned her sexuality like a motherfucking QUEEN #when her own brother tried to slut-shame her you know she ended that shit right quick #COULD NOT BE TAMED #WILL NOT BE TAMED #not only won the heart of the D she was yearning for since the age of 10 #but also PUT A RING ON IT #you know thats right #she made sure that shit was hers forevaaaaa #became a momma who still profits dollas #THROW YOUR HANDS UP AT ME #you know she ballin #BASICALLY YOU FUCKWITS #MEET GINNY WEASLEY #the girl who could NOT be fucked with #the girl who proved all the haters wrong #THE GIRL WHO HAD NERVE
CALL HER “THE GIRL WHO WAITED” AND I’LL PISS ON YOUR SOUL